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Posts Tagged ‘Harper’s Ferry’

Leigh Anne Cassell’s Solo Exhibit – February 22 – March 30, 2014

The Gallery’s theme for this exhibit is “Rêves et Rêveurs – Dreams and Dreamers” drawing inspiration from the book “The Night Circus” by Erin Morgenstern.

Postcard_Front_Leigh_Anne_show

Leigh Anne’s work covers a broad range of visual interest, from whimsical to contemplative. Her strongest and most commented upon works so far are the portraits, of which the Steampunk Dr. Who and her self-portrait are two examples. Leigh Anne will show her recent as well as earlier work, some of which will be on loan to the gallery for this solo show. Visitors are encouraged to participate on opening day wearing theme colors white, red and black. An artist’s reception is scheduled for February 22. Please contact Steam at Harper’s Ferry directly for an invitation.

What’s New at Steam

Please put April 26 on your calendar for Eric Holstine’s solo exhibit! He is sending along preliminary photos of his work – this promises to be a very exciting show!

With the heightened interest in the revitalization of the Hill Top House, Steam at Harper’s Ferry has a mini display of related historic postcards. This is also a good time to buy “Of Steam and Spring” the first  of a series (hopefully) which features Hill Top House and the B&O Island Park.

We are always looking for new folks to come in and show their work, so there will be a call to artists in early 2014 for our next open call exhibit. Over the course of the year, we will feature several local and regional artists.

3rd Annual Bolivar-Harper’s Ferry Community Art Walk – April 26 and 27, 2014

The 3rd Annual Bolivar-Harper’s Ferry Community Art Walk is scheduled for April 26 and 27, 2014. Please keep up with developments on the facebook page. Steam is pleased to announce that the Bolivar-Harpers Ferry Public Library and stair-mate Waffle Buzz will provide some welcomed assistance with this year’s event.

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Here is the poster for the exhibit beginning February 22.

Leigh_Anne_Casell_Poster

 

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Another reason to love historical fiction!

The first work I read by Joyce Carol Oates was “The Poisoned Kiss and Other Stories from the Portuguese“. Then I read her Gothic novels, “Bellefleur,” “A Bloodsmore Romance,” and  “The Mysteries of Winterthurn.” I took a break from her work for a very long time, and recently picked up “The Accursed” which lead me to my post on Woodrow Wilson, who was a character in this story during the time when he was president of Princeton University (1902 – 1920).

This week, I finished reading the second book from an additional favorite  author, Lyndsay Faye, “Seven for a Secret,” the second of the Timothy Wilde series, the first being “Gods of Gotham“, both of which take place in 1840s New York.

Timothy Wilde, a “copper star,” learned about a particularly vile form of law enforcement, “blackbirders” who kidnapped free northern blacks and sold them into slavery. The book contains several quotes and, not surprisingly, quotes from “Twelve Years a Slave, Narrative of Solomon Northrup, a Citizen of New York, Kidnapped in Washington City and Rescued in 1853 from a Cotton Plantation near the Red River in Louisiana” which won a Golden Globe Award for Best Picture  – Drama and  has been nominated for nine Academy Awards.

A quote that Ms. Faye included in her book was one that struck me particularly. Here is the complete paragraph from pages 206 & 207 of the Narrative:

“There may be humane masters, as there certainly are inhuman ones—there may be slaves well-clothed, well-fed, and happy, as there surely are those half-clad, half-starved and miserable; nevertheless, the institution that tolerates such wrong and inhumanity as I have witnessed, is a cruel, unjust, and barbarous one. Men may write fictions portraying lowly life as it is, or as it is not—may expatiate with owlish gravity upon the bliss of ignorance—discourse flippantly from arm chairs of the pleasures of slave life; but let them toil with him in the field—sleep with him in the cabin—feed with him on husks; let them behold him scourged, hunted, trampled on, and they will come back with another story in their mouths. Let them know the heart of the poor slave—learn his secret thoughts—thoughts he dare not utter in the hearing of the white man; let them sit by him in the silent watches of the night—converse  in trustful confidence, of “life, liberty, and the pursuit of happiness,” and they will find that ninety-nine out of every hundred are intelligent enough to understand their situation, and to cherish in their bosoms the love of freedom, as passionately as themselves.” [emphasis added.]

This Narrative was published in 1853, one year after the publication of “Uncle Tom’s Cabin,  or Life Among the Lowly.” Theodore Weld wrote “American Slavery As It Is: Testimony of A Thousand Witnesses” and it was published in 1839.  I can’t help but think that Solomon Northrup was directing this comment toward Harriet Beecher Stowe and Theodore Weld followers. These two authors fell from different branches on the abolitionist tree. Harriett Beecher Stowe was an abolitionist along the lines of gradual emancipation and “returning” the slaves to Africa, otherwise known as colonization. Theodore Weld, who attended Harriet Beecher Stowe’s father, Lyman Beecher’s school, the Lane Theological Seminary School located in Cincinnati, Ohio, was of the immediate emancipation branch. Weld broke away from the school in 1834 when the school’s trustees prohibited the discussion of slavery, and Weld held debates anyway for 14 days in February 1834, while Lyman Beecher was out of town. When Weld was kicked out of Lane, he took the financial backing of the Tappan brothers. Lewis and Arthur, with him to Oberlin College.

In 1850, the Fugitive Slave Act, part of the Compromise Act, was passed to strengthen the existing Fugitive Slave Act of 1783, which was also passed to enforce Article 4, Clause 3  of the United States, which stated:

No Person held to Service or Labour in one State, under the Laws thereof, escaping into another, shall, in Consequence of any Law or Regulation therein, be discharged from such Service or Labour, but shall be delivered up on Claim of the Party to whom such Service or Labour may be due.

This was the foundation upon which fugitive slaves were to be returned to their owners. Article 4 on the whole is fundamentally an article outlining the relationship between the states and the federal government. On the up side, it requires the states to recognize the laws of public acts, records and court proceedings of other states. This article is extremely important to civil rights in the United States, starting with slavery, to inter-racial marriage, violence against women and same-sex marriage.

Harriet Beecher Stowe often stated that it was the Fugitive Slave Act which compelled her to write Uncle Tom’s Cabin.

Every once in a while, I have to remind myself that the federal government used slave labor (and was sometimes sued for non-payment for services), so it shouldn’t come as a surprise that congressional representatives at the time would, more likely than not, reflect the sentiments of that government. In the newspaper, Radical Abolitionist, dated July 1856, Dr. James C. Jackson, of Glen Haven, NY said:

What new thing is it with us, that a man like Charles Sumner is knocked down?

And if you don’t recall, Charles Sumner was nearly killed on the  Senate floor two days after giving his speech, The Crime Against Kansas: The Apologies for the Crime; The True Remedy, in May 1856, the same month John Brown and his volunteers killed five men associated with the pro-slavery Law and Order Party  in Pottawatomie, Kansas. So much for the other parts of the Constitution – the Second Amendment.

It was in this same  publication that the Radical Abolitionists nominated Gerrit Smith (one of John Brown’s Secret Six) for President of the United States. It was also reported that at the Republican Convention, Mr. Lincoln of Illinois received 110 votes for Vice President, second to Mr. William Dayton of New Jersey who received 259 votes in the informal ballot.

Dr. Beriah  Green, a close associate of Gerrit Smith, who made a speech at the Radical Abolitionist convention,  made what I think sums up the federal government’s complicity in slavery correctly.

It has been affirmed, more than once, by names making a prominent figure in the sphere of politics, and enjoying a large amount of the general confidence, that slavery, from the very commencement of our political history, has been especially,  prominently, and constantly, a cherished and petted  “institution” of what bears the name of Government.  … The thing has not only been endured by the Government – it has not only been cherished by the Government, but it has been regarded as pre-eminently, controllingly, the object to which, in the measures they might devise, they have been devoted. … I know it  is claimed that the people at large are deceived and devoted to freedom ; … There will always be found a striking correspondence between those who grant office and those who hold office. We have therefore to refer this to a majority of those who wield power in this republic. …. If we look a little more earnestly, we shall be constrained to admit, that slavery without us, has its origin in slavery within us. A man will give expression to his own appropriate character. What he may be, within himself, he will be … in the objects he may pursue. … The fetters, the chains and the whips – whatever belongs to slavery, as it presents itself to they eye, has its origin within the depths of the human spirit.

Readers are reminded that the Republican Party platform at the time did not propose the suppression of the slave trade between the states, it did not propose the prohibition of slavery in the District of Columbia (which was, and continues to be, in many ways, under the exclusive jurisdiction of Congress), and failed to propose a repeal of the Fugitive Slave bill.

Frederick Douglass was present at the convention and was reported to have made two speeches. The second one was directed at the Republican Party attendees who sympathized with the abolitionist cause:

You are called Black Republicans. What right have you to that name? Among all the Candidates you have selected, or talked of, I have not seen or heard of a single black one. (Laughter.) Nor have I seen one mentioned with any prospect of success, who is friendly to the black man in his sympathies, or an advocate for the restoration of is rights. … And then there is the man who was struck down in the Senate; and he is the man you would be  first to elevate, if acting on the tactics of Napoleon. … If you want to give us an example of your Black Republicanism – of your determination to resist and defy the Slave power, take Charles Sumner, and make him master at Washington.

to be continued …

The Radical Abolitionist, July 1856, Volume I, Number 12, edited by William Goodell, is available for purchase at Steam at Harper’s Ferry.

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Steam at Harper’s Ferry is pleased to announce a solo exhibition featuring the works of Leigh Anne Cassell from February 22 through March 30. The Gallery’s theme for this exhibit is “Rêves et Rêveurs – Dreams and Dreamers” drawing inspiration from the book “The Night Circus” by Erin Morgenstern. Visitors are encouraged to participate on opening day wearing theme colors white, red and black.

by Leigh Anne Cassell

by Leigh Anne Cassell

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Exhibit “Winter Themes and Best of Steam – 2013” continues through February 2, 2014

On view through February 2, 2014 are the works of our most popular artists including Eric Holstine’s “Celestial Escape” and “Melton the Mechanical Marvel,”; Leigh Anne Cassell’s “Steampunk Dr. Who,” Jason Edwards’s “Captain Tomorrow Gives Chase in His Red Balloon,” and Christopher Loggie’s “Steampunk Nutcracker,” as well as our most popular 3D images and Steampunk Advent Calendar.

What’s New at Steam

Gil Narro Garcia’s steampunk-inspired pins are now available at Steam at Harper’s Ferry! You may have seen his sculpture at the Artomatic @ Jefferson event in October 2013. Come by and take a look!

Please put February 22 and April 26 on your calendars for 2014. Leigh Anne Cassell and Eric Holstine will have solo shows in the gallery on those dates, respectively. We are always looking for new folks to come in and show their work, so there will be a call to artists in early 2014 for our next open call exhibit. Over the course of the year, we will feature several local and regional artists.

3rd Annual Bolivar-Harper’s Ferry Community Art Walk – April 26 and 27, 2014

Getting ready for the 3rd Annual Bolivar-Harper’s Ferry Community Art Walk scheduled for April 26 and 27, 2014. Please keep up with developments on the facebook page.

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Steam at Harper’s Ferry prides itself in its original newspaper collection, which includes titles such as Scientific American, Harper’s Weekly, Frank Leslie’s Illustrated and The New York Herald. Perhaps some will appeal to historians you know as you consider Christmas gifts! Here are some samples.

Harper’s WEEKLY, New York, November 26, 1859 (only 1)

Frontpage illustrations from Wilkie Collins’ “The Woman in White.”  Interior and backpage sketches by Porte Crayon about the “late outbreak.” Doublepage centerfold illustrations “Fall Games” being “The Elephant” and “The Apple-bee” The issue is complete in 16 pages, in good condition, containing additional illustrations and text.

En Route to Harpers Ferry Nov 26 1859

$41.95 plus shipping and handling.

Frank Leslie’s ILLUSTRATED Newspaper, December 17, 1864 (only 1)

Frontpage full-page illustration of Consecration of the Roman Catholic Cathedral at Philadelphia. Doublepage centerfold illustrations “The Hotels of New York City that were set on Fire by Rebel Incendiaries on the Evening of November 25.” Including the Tamany Hotel, Barnum’s American Museum, Lovejoy’s Hotel, St. Nicholas Hotel. The issue is complete in 16 pages, in good condition (some earmarks), containing additional illustrations and text.

 

$31.95 plus shipping and handling

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Jason has been at it again! Here is his latest video featuring Steam exclusive Christmas cards and our new Cogwheel and Spokes Advent calendar!

Steam would also like to welcome the unique pins made by local artist, Gil Narro Garcia! Gil is best known for his work with natural objects and sculpture. He recently created a timely and provocative series called “Surveillance I -V.” His work pins are available for sale, just in time for the holidays. Welcome to Steam, Gil!

This coming weekend, Olde Tyme Christmas continues in Harper’s Ferry. Hope to see you at the Gallery!

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